Verónica Uribe

Curriculum Vitae

Name: Verónica Uribe Hanabergh
Date of Birth: April 17, 1979
Place of Birth: Bogotá, Colombia
Phone Number: +57-3175113311
Email: v.uribe20@uniandes.edu.co; verouribe33@gmail.com
Webpage: www.veronicauribe.com
Languages: Spanish (native), English (proficient/fluent), Catalan (upper-intermediate), French (beginner)
Orcid id: https://orcid.org/0000-0003-0370-775X
Google Scholar: https://scholar.google.com/citations?user=ArGZtuUAAAAJ&hl=es
Academia: https://uniandes.academia.edu/VeronicaUribe

Current Position/Affiliation 

  • Associate professor, Art History Department, School of Arts and Humanities, Universidad de los Andes, Bogotá, Colombia (2010-present)

Studies

2009 D. in Humanities. Universidad Pompeu Fabra. Barcelona, Spain. Cum Laude Dissertation: “Génesis del fragmento y el non finito: el boceto como expresión estética del siglo XIX”.
2005    DEA in Humanities (Advanced Studies Diploma- European Master’s Degree). Universidad Pompeu Fabra. Barcelona, Spain. Master’s Thesis: “El pintor viajero: exploración y pintura en la creación moderna”.
2001    MFA in Painting. Visual Arts Program (Honors) GPA: 1st. Class Honors. Canberra School of Art. Australian National University, Australia.
2000 BFA in Fine Arts. GPA: High Distinction. Canberra School of Art. Australian National University, Australia.

Other Studies/Courses 

2022     “Sexing the Canvas: Art and Gender”. University of Melbourne- Coursera- Virtual Course. Professor Jeanette Hoorn. February- March 2022 (17-hour course). https://www.coursera.org/learn/gender-art 
2022    “Leading for Equity, Diversity and Inclusion in Higher Education”. University of Michigan- Coursera- Virtual Course. January 2022 (17-hour course). https://www.coursera.org/learn/leading-for-equity-diversity-inclusion 
2020    Digital Art History Summer School (DAHSS)- Universidad de Málaga and University of California, Berkeley. September 1- 5, 2020 (60-hour course). https://dahss.iarthislab.eu/2021/

 

Fellowships, Grants and Prizes

2022    Getty Residential Scholar Grant. Thematic Year “The Fragment”. April-June, 2022.
2020    Getty Travel Grant CIHA World Congress “Motion: Migrations”, September 2-6, 2021, São Paulo, Brazil.
2019     Terra Foundation for American Art Symposium Grant. Grant awarded. For the organization of the: Landscape Art of the Americas: Intervention across the Nineteenth Century. Universidad de los Andes, July 2019-May 2020, Bogotá, Colombia.
2019    Internal Research Grant, CIC (Centro de Investigación y Creación), School of Arts and Humanities, Universidad de los Andes. Title of the project: “Trabajo de archivo Titian Ramsey Peale, Filadelfia” (Research of Titian Ramsey Peale Archives, Philadelphia”.
2018    Internal Research Grant, CIC (Centro de Investigación y Creación), School of Arts and Humanities, Universidad de los Andes. Title of the project: “Ranas y Presidentes en las rocas: arte rupestre y retratos en el Parque Arqueológico Las Piedras del Tunjo, Facatativá, Colombia” (Frogs and Presidents on the rocks: preHispanic rock art and portraiture at the Arqueological Park Las Piedras del Tunjo, Facatativá, Colombia”.
2017    Visiting Scholar Award, Yale Center for British Art. Title of the project: “The Joseph and Ann Cox Brown Family Papers: Understanding British Travelling in the Nineteenth-Century from New Granada to Constantinople”. Yale University, New Haven, Connecticut, May-July 2017.
2017    Internal Research Grant, CIC (Centro de Investigación y Creación), School of Arts and Humanities, Universidad de los Andes. Title of the project: “Perspectivas y representaciones del Salto de Tequendama” (Representations and perspectives of the Salto de Tequendama).
2016    Internal Research Grant, CIC (Centro de Investigación y Creación), School of Arts and Humanities, Universidad de los Andes. Title of the project: “Estudio del Álbum de Antigüedades Neogranadinas de Liborio Zerda” (Study of the Álbum de Antigüedades Neogranadinas de Liborio Zerda”.
2016  Research Support Grant, Paul Mellon Centre for the Study of British Art, London. Title of the project: “Joseph Brown junior and his travels in Colombia (1826-41)”. June 2016.
2014  1st Prize, Premio Julio González Gómez, 2014: Book: González Aranda, Beatriz. Manual de Arte en Colombia del siglo XIX. Con aportes paralelos sobre arte europeo de Verónica Uribe. (Nineteenth-Century Colombian Art Manual). Ediciones Uniandes. Bogotá, 2013. ISBN: 978-958-695-827-1. Secretaría de Cultura, Recreación y Deporte. Becas de Estímulos. Bogotá, Colombia.
2010  FAPA- Fondo de Apoyo a Profesores Asistentes (Assistant Professors Funding Grant), Vicerrectoría Académica, Universidad de los Andes. Title of the project: “Viajes y fragmentos” (Voyages and Fragments).
2001    Golden Key International Honor Society Award. Australian National University. Canberra, Australia.

 

Work Experience

  • Chair, Art History Department, School of Arts and Humanities, Universidad de los Andes, Bogotá, Colombia (2017-2021).
  • Associate Professor of Art History. School of Arts and Humanities. Universidad de los Andes. Bogotá, Colombia (2015-present).
  • Assistant Professor of Art History. School of Arts and Humanities, Universidad de los Andes. Bogotá, Colombia. 2010-2015
  • PhD Student Representative for the University Institute of Culture´s Council, Universidad Pompeu Fabra. Barcelona, Spain. 2004-2006.
  • Adjunct Professor. Fine Arts Department. Universidad de Bogotá Jorge Tadeo Lozano. Bogotá, Colombia. 2002.
  • Museum Guide. Department of Education. Museo Nacional de Colombia (National Museum of Colombia). Bogotá, Colombia. January- September 2002.

  

Service to the Institution

  • Chair of the Art History Department. School of Arts and Humanities. Universidad de los Andes. Bogotá, Colombia. 2017-2021.
  • Director of the Art History Program. Art Department. School of Arts and Humanities. Universidad de los Andes. Bogotá, Colombia. 2014-2016.
  • Committee Member, President, Relationships in the Workplace (Comité de Convivencia Laboral). Designated by the University President, 2020-2021.
  • Committee Member, Relationships in the Workplace (Comité de Convivencia Laboral). Designated by the University President, 2018-2020.
  • Committee Member, BADAC (Banco de Archivos Digitales de Artes en Colombia), Facultad de Artes y Humanidades, Universidad de los Andes, 2018-2021.
  • Committee Member, H-art: Revista de historia, teoría y crítica de arte, Departamento de Historia del arte, Universidad de los Andes (2016-present).
  • Committee Member, Master´s Degree in Heritage, School of Postgraduate Studies, School of Arts and Humanities, Universidad de los Andes. 2018-2021.
  • Committee Member, Publications Committee, School of Arts and Humanities, Universidad de los Andes, 2012-2015

 

Publications

Books

  • Book: Uribe, Verónica. Tarabitas y cabuyas: la representación del puente en el arte en Colombia durante el siglo XIX. (Tarabitas and cabuyas: the representation of the bridge in Nineteenth Century Colombian art). Bogotá: Ediciones Uniandes, 2016. ISBN: 978-958-774-261-9.
  • Book: Uribe, Verónica. El pintor viajero: exploración y pintura en la creación moderna (The Travelling Painter: Exploration and Painting in Modern Creation). Barcelona: Erasmus Ediciones, 2013. ISBN: 978-84-15462-14-9.
  • Book: El arte del fragmento: El origen del boceto como expresión estética. (The Art of the Fragment: The Origin of the Sketch as an Aesthetic Expression). Barcelona: Erasmus Ediciones, 2012. ISBN: 978-84-92806-95-9.


Book Chapters and Catalogues

  • Forthcoming book chapter: Uribe, Verónica, “En unos minutos empieza la función: infancia, magia y memoria en el Teatro de Marionetas de Jaime Manzur”. In Fernández Reguera, Mario Omar. El teatro de marionetas de Jaime Manzur (Bogotá: Ediciones Uniandes, 2023).
  • Forthcoming book chapter: Uribe Hanabergh, Verónica. “La “oscura expedición a Colombia” de Titian Ramsey Peale en 1831”. Relaciones bilaterales entre Colombia y Estados Unidos. 200 años de historias. Ministerio de Cultura e Instituto Caro y Cuervo, 2023.
  • Book chapter: Uribe Hanabergh, Verónica. “Victorias conservadoras, entradas apoteósicas y construcciones efímeras: los arcos del triunfo de Bogotá en las conmemoraciones de la guerra civil de 1895”. En La materialización del pasado Monumentalización, memoria y espacio público en Colombia, editado Sebastián Vargas Álvarez, 335-365. Bogotá: Editorial Universidad del Rosario, 2023. ISBN: 978-958-500-122-0
  • Book chapter: Uribe, Verónica. “”El Rey Rodrigo después de la derrota de Guadalete: Delacroix, la facilidad de ejecución y el 15 de marzo de 1833″. En Torres, Rondy (comp.), Florinda de Rafael Pombo. Edición crítica y estudio del libreto de la ópera. (Bogotá: Ediciones Uniandes, 2022). ISBN. 978-958-798-163-6
  • Catalogue entry: Uribe, Verónica. “Frederic Edwin Church: Paisaje Tropical”. En Alarcó, Paloma y Alba Campo Rosillo. Arte Americano en la Colección Thyssen. Madrid: Museo Thyssen Bornemisza, 2021: 130-131.
  • Book chapter: Uribe, Verónica. “Esbozo de una excursión: Una historia cultural abreviada del Salto de Tequendama”. En Pérez, Mateo. El Salto. Bogotá: IDARTES, 2021: 1-4.
  • Book chapter: Uribe, Verónica. “Breve historia de una reflexión curricular: el programa de Historia del Arte (2016-2019)”. En Langebaek Rueda, Carl, Francisco Said Zarur, Juana Margarita Hoyos. Reflexión curricular en la Universidad de los Andes, 2015-2019. Bogotá: Ediciones Uniandes, 2020.
  • Book chapter: “Villa Paulina, sus murales y la memoria colectiva”. In Las Colecciones de arte en la Universidad de los Andes, 119-149. Bogotá: Ediciones Uniandes, 2019.
  • Catalogue chapter: “Breves antecedentes y pensamientos sueltos sobre la libreta de bocetos” (“Brief history and loose thoughts on the sketchbook”). In Libretas de dibujo: reencuentros de memoria gráfica (Sketchbooks: re-encounters of graphic memory), edited by Beatriz González and Verónica Uribe, 49-56. Bogotá: Banco de la República, 2017.
  • Book chapter: “La infructuosa búsqueda de dos bocetos para Ester.” (“Revealing sources: The eager search of two sketches for Esther”). In José María Ponce de León y la ópera colombiana en el siglo XIX & Ester, libreto de Rafael Pombo (José María Ponce de León and Colombian Nineteenth-Century Opera), edited by Rondy Torres, 145-165. Bogotá: Biblioteca Nacional de Colombia y Ediciones Uniandes, 2014. ISBN: 978-958-774-000-4.
  • Book chapter: González Aranda, Beatriz. Manual de Arte en Colombia del siglo XIX. Con aportes paralelos sobre arte europeo de Verónica Uribe. (Nineteenth-Century Colombian Art Manual with contributions on European Art by Verónica Uribe). Bogotá: Ediciones Uniandes, ISBN: 978-958-695-827-1
  • Book chapter: “The Sketch and the Imagination in the Travel Notebooks of Romantic Painters.” In Engaged Romanticism: Romanticism as Praxis, edited by Lussier, Mark and Matsunaga, Bruce, 178-195. London: Cambridge Scholars Press, 2008. ISBN (10): 1-84718-914-8. ISBN (13): 9781847189141.


Articles and editorial texts

  • Article: “Andean Contemplation and Humboldtian Aesthetic Composition in Charles Empson`s The Rustic Corridor”. Anuario de Historia Regional y de las Fronteras, Universidad Industrial de Santander, Vol. 27 No. 2, July 2022. https://revistas.uis.edu.co/index.php/anuariohistoria/article/view/13448
  • Article: “Traveling from stillness and sharing while in lockdown”. Special issue: Unprecedented Disruptions: Nineteenth-Century Scholars Reflect on 2020. Nineteenth-Century Contexts, Vol. 43, No. 5: 1-7. https://www.tandfonline.com/doi/full/10.1080/08905495.2021.1975466
  • Article: “Keeping, saving and remembering: Manuel Doroteo Carvajal´s trompe l´oeil autograph drawings as elements of rhetorical visual strategy during the Colombian civil wars of the 1850s and 60s”. Source: Notes on the History of Art. University of Chicago Press (Spring 2021). https://www.journals.uchicago.edu/toc/sou/current
  • Article: “Bocetos de infancia: la libreta “Dibujos del hogar, 1895” de Francisco Antonio Cano (Sketching childhood: the transitory instant in Francisco Antonio Cano´s 1895 baby book)”. Revista Historia y Sociedad. Departamento de Historia de la Facultad de Ciencias Humanas y Económicas de la Universidad Nacional de Colombia, sede Medellín. Número 39. 2020: 272-308. DOI: http://dx.doi.org/10.15446/hys.n39.82593
  • Editorial text: “En defensa del siglo XIX: recordar es volver a vivir”. HART: revista de historia, teoría y crítica de arte. No. 7: 147-157. ISSN 2539-2263 | eISSN 2590-9126. Universidad de los Andes. https://revistas.uniandes.edu.co/doi/full/10.25025/hart07.2020.08
  • Article: “Titian Ramsey Peale’s 1831 ‘obscure expedition to Colombia’: status quaestionis of the sketches at the American Philosophical Society”. H-ART: Revista de historia, teoría y crítica de arte. No. 7: 287-312 ISSN 2539-2263 | eISSN 2590-9126. Universidad de los Andes. https://doi.org/10.25025/hart07.2020.13
  • Article: “Pintar el ruido con silencio: descripciones sonoras y representaciones visuales decimonónicas del salto del Tequendama” (“Painting Noise with Silence: Nineteenth-century Sonorous Descriptions and Visual Representations of the Tequendama Cascade”). Anales del Instituto de Investigaciones Estéticas, no. XLI, núm. 115, (otoño de 2019) Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México: 9-60. https://doi:10.22201/iie.18703062e.2019.115.2689
  • Article: “A Colombian Mount Rushmore: liberal irreverence during the conservative hegemony at the Piedras del Tunjo Archeological Park in Facatativá, Colombia”. Nineteenth-Century Contexts (September 2019, Volume 41, Number 5). ISSN: 0890-5495 (Print) 1477-2663 (Online). https://www.tandfonline.com/doi/abs/10.1080/08905495.2019.1669347
  • Article: “Paisaje con un río y casas, posiblemente en las cercanías de Popayán, dibujo de la Campaña del Sur atribuido a José María Espinosa: un caso de paisaje al aire libre en los albores de la modernidad en Colombia” (“Landcape with a river and houses, possibly near Popayán, a drawing from the Southern Campaign of Independence attributed to José María Espinosa: a case of plein air drawing at the beginning of Colombian Modernity”). Revista Colombiana de Pensamiento Estético e Historia del Arte, no. 7 (January-June 2018): Facultad de Ciencias Humanas y Económicas, Universidad Nacional, Medellín (e-ISSN: 2389-9794). https://revistas.unal.edu.co/index.php/estetica/article/view/92171
  • Article: “El Álbum de Antiguedades Neogranadinas de Liborio Zerda” (“The Album of Antiques from Nueva Granada by Liborio Zerda”). Boletín de Historia y Antigüedades, no. 864 (2017): Academia Colombiana de Historia: 73-116. ISSN Impreso: 0006-6303 / digital: 2357-6553.
  • Introductory text: “Presentación”. En Manuel Ancízar, Peregrinación de Alpha. Biblioteca Básica de Cultura Colombiana, Biblioteca Nacional de Colombia, 2017. ISBN 978-958-8959. https://siise.bibliotecanacional.gov.co/BBCC/Documents/View/265?AspxAutoDetectCookieSupport=1
  • Online Article: “Carmelo Fernández, The Strait of Furatena in the Minero River,” in Smarthistory, April 21, 2017, accessed April 25, 2017, https://smarthistory.org/strait-of-furatena/.
  • Article: “La Comisión Corográfica colombiana y la Mission Héliographique francesa: dos empresas nacionales a luz del positivismo del siglo XIX” (“The Colombian Corographic Commission and the French Mission Heliographique: two enterprises at the dawn of Nineteenth-Century Positivism”) Revista Historia y Sociedad. Departamento de Historia de la Facultad de Ciencias Humanas y Económicas de la Universidad Nacional de Colombia, sede Medellín. Número 30. 2016: 171-197. https://revistas.unal.edu.co/index.php/hisysoc/article/view/53810
  • Article: “Translating landscape: the Colombian Corographic Commission”.The Journal of Arts and Humanities. 3:1 (2014): 126-136.  (ISSN 2167-9045) 3 (1), 2014. https://www.theartsjournal.org/index.php/site/article/view/264
  • Article: “La influencia del Torso del Belvedere como fragmento accidental en el arte, desde el Renacimiento hasta el siglo XIX.” (The influence of the Belvedere Torso as an accidental fragment, from the Renaissance to the Nineteenth Century). Ensayos: Historia y Teoría del Arte. Número 23. Universidad Nacional de Colombia. Bogotá, 2013. ISSN: 1692-3502. https://revistas.unal.edu.co/index.php/ensayo/article/view/46173

Reviews

 

Memberships, Boards and External Committee Representations

  • Board Member, Association of Historians of Nineteenth Century Art (2022-2024). https://ahnca.org/index.php/ahnca-board
  • Associate Director (Universities), CNCSI, Center for Nineteenth-Century Studies International, Durham, UK (2021-2026) https://www.durham.ac.uk/research/institutes-and-centres/nineteenth-century-studies/about/people/international/cncsi/
  • Diversity Committee Chair, INCSA, International Nineteenth-Century Studies Association (2021-present)
  • President, Colombian Art History Commitee (Comité Colombiano de Historia del Arte- CCHA), Chapter for the International Art History Committee- CIHA) (2020-2021). https://www.ccha.co/comite/
  • Treasurer, Colombian Art History Commitee (Comité Colombiano de Historia del Arte- CCHA), Chapter for the International Art History Committee- CIHA) (2016-2020). https://www.ccha.co/comite/
  • Board Member, Interdisciplinary Nineteenth Century Studies Association (INCS), 2018-2020. https://incsscholars.org/board/
  • Institutional Review Board (High School AP Research Program) Colegio Nueva Granada, Bogotá, Colombia (2018-present)
  • Founding Member, Colombian Art History Commitee (Comité Colombiano de Historia del Arte- CCHA), Chapter for the International Art History Committee- CIHA) (2016-present). https://www.ccha.co/comite/
  • Member, Society for Global Nineteenth-Century Studies (2022- present)
  • Member, Nineteenth Century Studies Association (2018-present)
  • Member, Interdisciplinary Nineteenth Century Studies Association (2015-present)

 

Editorial and Scientific Committee Experience

 

 Curated Exhibitions

  • Entre dos orillas: puentes, progreso, país (Between two shores: bridges, progress and country. Museo Nacional de Colombia. Bogotá, Colombia. February 12- March 20th, 2017
  • Libretas de dibujos: reencuentros de memoria gráfica (Sketchbooks: reencounters of graphic memory). Biblioteca Luis Ángel Arango, Casa Republicana, Banco de la República. Bogotá, Colombia. October 17, 2017- June 16, 2018.

 

Lectures/Talks

  • Conferencia: “José María Espinosa, 1796-1883: abanderado del dibujo en Colombia”. Biblioteca Nacional de Colombia. 28 de febrero de 2023.
  • Conferencia: “La vasija de Chirajara o la olla de barro que contenía el tesoro: La construcción del pasado prehispánico en el siglo XIX”. dictada con Natalia Lozada en el marco del conversatorio: Pasado, presente y nación en Colombia. Museo Arqueológico La Merced, MUSA. Cali, Colombia. Jueves 23 de marzo 2023
  • Conferencia: “Cinco ideas fundamentales para escribir una historia del arte del paisaje en el siglo XIX en Colombia”. Ciclo de conferencias, Pensar Colombia. Instituto de Lenguas Romances. Universidad de Erlangen-Núrenberg, Alemania. 11 de mayo, 2023.
  • “Bridging the Americas: U.S. Travelers and the Unity of Nature in 19th-Century Colombian Landscape Painting”. Department of Art abd Art History. University of North Carolina, Chapel Hill. January 26, 2023.
  • “The Meta Sketch as Fragment”. Getty Scholar Lecture Series. Getty Research Institute- Ada Louise Huxtable Lecture Hall. June 13, 2022.
  • “Iconographies of landscape painting in 19th-century Colombia.” Hybrid talk. Art History Department; Levan Institute for the Humanities and the Center for Latinx and Latin American Studies, University of Southern California. Los Angeles, April 20, 2022. https://calendar.usc.edu/event/iconographies_of_landscape_painting_in_19th-century_colombia_a_lecture_by_veronica_uribe_universidad_de_los_andes#.YlEK7G7MKuV 
  • “Bridging the Americas: U.S. Travelers and Landscape in 19th-Century Colombian Art”. In person. Department of Art History, Florida State University. March 9, 2022.
  • “´The Land of Beautiful Flowers and Birds`: The Journey of Frederic Edwin Church through New Granada, April – August 1853”. Virtual Talk. The Olana Partnership, Hudson, New York. December 9, 2021. https://www.youtube.com/watch?v=_iLV1ukkQWg
  • “Triángulo y composición: el legado de la pintura clásica en las representaciones del volcán americano del siglo XIX”. Ciclo de charlas VolcARTE, Facultad de Artes y Humanidades, Universidad de los Andes. December 1, 2021. https://facartes.uniandes.edu.co/
  • “Super fecundity of plants and botanical studies as tropes: Frederic Edwin Church´s Tropical Landscape”. Scholar´s Convening June 11-12, 2021. Museo Nacional Thyssen Bornemisza, Madrid./Terra Foundation for American Art
  • “High lands and low lands: Graphic Representation of the Nation in the Comisión Corográfica, 1850-1859” (“Tierras altas y tierras bajas: La representación gráfica de la nación en la Comisión Corográfica 1850-1859”). Lecture series :Describing the Republic: Comissions and travelers of the 19th century. (Describiendo la República: Comisiones y viajeros del siglo XIX). Instituto Colombiano de Antropología e Historia/ Colombian Institute of History and Anthropology. (ICANH). Virtual conference. Bogotá, may 6, 2021. https://youtu.be/CVPX7rnFjpw
  • “One year on the Magdalena River: Titian Ramsay Peale II in Colombia, 1830-1832”. Art at Noon program. Pennsylvania Academy of the Fine Arts, PAFA. Octubre 14, 2020. https://www.pafa.org/events/one-year-magdalena-river-titian-ramsay-peale-ii-colombia-101420
  • “El pasaje más difícil de toda la Cordillera de los Andes: Alexander von Humboldt, la pintura de paisaje y las montañas de Colombia (The most difficult passage in the entire Cordillera of the Andes : Alexander von Humboldt, landscape painting and the mountains of Colombia)”. International Humboldt Day, International Biogeographical Society. September 18, 2020. https://www.humboldtday.org/event/sobre-el-estudio-de-montanas-y-rios-el-legado-de-humboldt-en-las-ciencias-naturales-y-humanidades-de-colombia/?wcs_timestamp=1600443015
  • “Valoración del patrimonio prehispánico a la luz del siglo XIX en Colombia: casos de estudio recientes.” CEAACP, Centro de Estudos de Arqueología, Artes e Ciências do Património y Facultad de Letras, Universidad de Coimbra, Portugal. October 10, 2019.
  • “Beholding Nature in all her majesty: Andean contemplation and Humboldtian aesthetic composition in Charles Empson`s The Rustic Corridor”. Mountain Aesthetics and Ecology: The Conceptual Heritage of Alexander von Humboldt in the America September 18-19, 2019. Instituto de Investigaciones Estéticas, UNAM and Terra Foundation for American Art, Mexico City.
  • “Bocetos y niños: la libreta “Dibujos del hogar” de 1895 de Francisco Antonio Cano”. Banco de la República. May 3, 2018. Bogotá.
  • “From Humboldt to the Quimbaya treasure: the representation of the prehispanic past in the discourse of the creation of the nation during the nineteenth century in Colombia” Museo Casa Marqués de San Jorge. Bogotá. March 9, 2017.
  • “Spectacle and tragedy: images and bridges in Colombia”. Museo Nacional de Colombia. Marzo 7, 2017.
  • “Tarabitas y cabuyas: los puentes en las colecciones de Arte del Banco de la República y la Biblioteca Luis Ángel Arango”. Biblioteca Luis Ángel Arango, Sala de Audiovisuales, Banco de la República. Bogotá, Colombia. November 10th, 2016
  • “Landscape with a river and houses, possibly near Popayán: A drawing by José María Espinosa during the Southern Campaigns?” II Conference on Art History. Universidad Jorge Tadeo Lozano, Bogotá, Colombia. October 25-27, 2016.
  • “The travelling painter”. Sede Nacional Uniandinos. Bogotá. March 12, 2014.

     

    Conferences

    • “Extracting the visual: mobility, migration and ecology seen through Nineteenth-century visual representations of Colombian mining”. 35th CIHA World Congress – Motion: Migrations. Comité International d’Histoire de l’Art – CIHA and Comitê Brasileiro de História da Arte – CBHA. São Paulo, Brazil, January 17-21, 2022. http://www.ciha2022.mac.usp.br/
    • “Burros y bestias: Los bocetos de asnos de Frederic Edwin Church y Martin Johnson Heade en Colombia y Ecuador”. XI Congreso Internacional de Teoría e Historia de las Artes. XIX Jornadas del CAIA, Buenos Aires. October 27-29, 2021. Watch presentation here.
    • “Excavating the undiscoverable: the clay pot of Chirajara, ‘a historic book whose cover is made of clay and its characters are made if gold.’”. 42nd Conference of the Nineteenth-Century Studies Association “Discovery” (Virtual). University of Sacramento. March 11-13, 2021
    • “Beholding Nature in all her majesty: Andean contemplation and Humboldtian aesthetic composition in Charles Empson`s The Rustic Corridor” Interdisciplinary Nineteenth Century Studies Association Annual Conference: Sustainability, Industrialization and Environmental Knowledge. “The Green Conference”, Los Angeles, March 5-8, 2020.
    • “Keeping, saving and remembering: Manuel D. Carvajal´s trompe l´oeil autograph drawings as elements of rhetorical visual strategy during the Colombian civil wars of the 1850s and 60s”. Materiality & Mediums in 19th century Art: Matters of Substance Session. CAA- Chicago College Art Association meeting, Chicago, Feb. 12-15, 2020.
    • “A Colombian Mount Rushmore: liberal irreverence during the conservative hegemony at the Piedras del Tunjo in Facatativá, Colombia”. Interdisciplinary Nineteenth-Century Studies Conference 2019: Monuments and Memory. Dallas, Texas. March 21-24, 2019.
    • “Titian Ramsey Peale’s 1830s, ‘obscure expedition to Colombia’: the sketches at the American Philosophical Society”. 40th Annual Conference of the Nineteenth Century Studies Association: Explorations. March 7-9, 2019. University of Kansas, Kansas City, Missouri.
    • “Painting the Silence of Sound: Nineteenth Century Images of Colombia’s Tequendama Falls”. 39th Annual Conference of the Nineteenth Century Studies Association. Philadelphia, Pennsylvania. March 15-17, 2018
    • “Sketching childhood: the transitory instant in Francisco Antonio Cano´s 1895 baby book”. Interdisciplinary Nineteenth-Century Studies Conference 2018: Serials, Cycles, Suspensions. San Francisco, CA. March 1-4, 2018.
    • “Ann Cox Brown and her travels to Constantinople: 1836-1853”. Romanticism and the Peripheries: An International and Interdisciplinary Conference. Lisbon, Calouste Gulbenkian Foundation, December 5 – 07, 2016
    • “Interpreting the picturesque: images and text in two prints and four descriptions of Charles Saffray`s Voyage à la Nouvelle-Grenade”. AAH 2016. Association of Art Historians. 2016 Conference. University of Edinburgh, April 6-9, 2016
    • “The quest for El Dorado: the Album of Antiques from Nueva Granada by Liborio Zerda”. CAA 2016. College Art Association. Washington D.C., February 3-6, 2016.
    • “Ruin as antique or ruin as memory: Colombian Nineteenth-Century visions of a recent past.” Interdisciplinary Nineteenth-Century Studies Conference: Mobilities. Georgia Institute of Technology. Atlanta, Georgia. April 16-19, 2015
    • “Tarabitas and Cabuyas: Images of Bridges in Colombian Nineteenth-Century Painting.” Interdisciplinary Nineteenth-Century Studies Conference: Nineteenth-century energies. University of Houston. Houston, Texas. March 27-30, 2014
    • “Revealing Sources: The Eager Search of Two Sketches for Esther”. Interdisciplinary Nineteenth-Century Studies Conference: Leisure, Enjoyment and Fun! University of Virginia, Charlotsville; Virginia. March 14-17, 2013
    • “Translating Landscape: the Colombian Chorographic Commission”. Interdisciplinary Nineteenth-Century Studies Conference: Speaking Nature- Pitzer College, Claremont, California. March 31-April 3, 2011
    • “The sketch as a mind-body mediator y Delacroix’s Journal.” The 18th Annual North American Society for the Study of Romanticism Conference: Romantic Mediations. University of British Columbia and Simon Fraser University. Vancouver, Canada. Agosto 2010
    • “The Sketch and the Imagination in the Travel Notebooks of Romantic Painters.” The 2006 International Conference on Romanticism. Engaged Romanticism: Romanticism as Praxis. Arizona State University. Tempe, AZ. November 2006.
    • “The fragment and the non finito: Romantic Objects from Michelangelo to Rodin” The 2007 International Conference on Romanticism: Romantic Objects. Baltimore, MD. October 18-21, 2007.