{"id":31,"date":"2021-04-13T18:22:50","date_gmt":"2021-04-13T18:22:50","guid":{"rendered":"http:\/\/www.veronicauribe.com\/en\/?page_id=31"},"modified":"2025-11-10T19:37:22","modified_gmt":"2025-11-10T19:37:22","slug":"conferencias-y-entrevistas","status":"publish","type":"page","link":"https:\/\/www.veronicauribe.com\/en\/conferencias-y-entrevistas\/","title":{"rendered":"Conferences"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”|||0px||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.23.3″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2025<\/h2>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2025\/11\/ver.jpg” _builder_version=”4.23.3″ _module_preset=”default” theme_builder_area=”post_content” title_text=”ver” url=”https:\/\/ed-ac-uk.zoom.us\/rec\/play\/ob_U8exDECdQX5ZahOfN565QG8MG23a4Se8l76V5Jbs_q_YH8E2Db5Qt_w68u9V_4VJ9BmtwEUTSzT39.CFI8ext-yyZjFXQl?eagerLoadZvaPages=sidemenu.billing.plan_management&isReferralProgramEnabled=false&isReferralProgramAvailable=false&accessLevel=meeting&canPlayFromShare=true&from=share_recording_detail&continueMode=true&componentName=rec-play&originRequestUrl=https%3A%2F%2Fed-ac-uk.zoom.us%2Frec%2Fshare%2FJpuf4Ip-9icPoAlMUzHXmLlsF33fN9xGV9_7LKABd2iBkC7Yy5CbBCG5tS2YIyFU.WRu3tAIwOTVXOs-V” url_new_window=”on” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_image][et_pb_blurb title=” \u201cRestitution, Repatriation and Return of Cultural Heritage in Latin America.\u201d The Art in Translation Lecture- Research Seminar Series,” _builder_version=”4.23.3″ _module_preset=”default” header_font=”Poppins|500|||||||” header_text_align=”center” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n

School History of Art, University of Edinburgh,
October 14, 2025.<\/p>\n

[\/et_pb_blurb][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=w88z–DAz1c” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/1.jpg” _builder_version=”4.23.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”\u201cReligion and landscape in the travels of Frederic Edwin Church to Colombia and Ecuador.\u201d 44th. C\u00e1tedra Luis Antonio Restrepo: %22Travelers and scientific explorations in Colombia: Territory, Art and Nature\u201d. ” _builder_version=”4.23.3″ _module_preset=”default” header_font=”Poppins|500|||||||” header_text_align=”center” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Biblioteca P\u00fablica Piloto\/ Universidad Nacional de Colombia, sede Medell\u00edn.
May 9, 2025.<\/p>\n

[\/et_pb_blurb][et_pb_text _builder_version=”4.23.3″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ custom_margin=”80px||||false|false” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2024<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/youtu.be\/iNOLkuRnfzA?si=zNfbcupzRTZ1qaUn” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2024\/10\/tadeo.jpg” _builder_version=”4.23.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”Talk: \u201c\u201cContemplation or Exploitation: Alfred T. Agate\u2019s \u2018Andes near Alpamarca, Peru\u2019\u201d. ” _builder_version=”4.23.3″ _module_preset=”default” header_font=”Poppins|500|||||||” header_text_align=”center” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Universidad Jorge Tadeo Lozano Coloquium. Bogot\u00e1.
October 17, 2024.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/youtu.be\/_9cWSDElCac?si=MfVoimSOSRt_TJiL” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2024\/10\/charla.jpg” _builder_version=”4.23.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”Lecture: %22Following Frederic Edwin Church’s Footsteps in Colombia%22. Ver\u00f3nica Uribe and Pablo Navas Sanz de Santamar\u00eda. ” _builder_version=”4.23.3″ _module_preset=”default” header_font=”Poppins|500|||||||” header_text_align=”center” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Casa Cuervo Urisarri, Instituto Caro y Cuervo, Bogot\u00e1.
October 8, 2024<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/youtu.be\/BSWSYxcz8CU?si=sk7YY33C5tnQ4wns” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2024\/02\/1.jpg” _builder_version=”4.23.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”%22Historia y civilizaci\u00f3n: La representaci\u00f3n del arte rupestre en la iconograf\u00eda del paisaje en Colombia a lo largo del siglo XIX%22″ _builder_version=”4.23.3″ _module_preset=”default” header_font=”Poppins|500|||||||” header_text_align=”center” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

MUSA, Museo Arqueol\u00f3gico, Bogot\u00e1
February 25, 2024<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”|||0px||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2021<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/youtu.be\/_iLV1ukkQWg” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2022\/01\/prt.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”\u201cThe Land of Beautiful Flowers and Birds%22: The Journey of Frederic Edwin Church through New Granada, April – August 1853\u201d. Virtual Talk.” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

The Olana Partnership, Hudson, New York. December 9, 2021.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2022\/01\/VolcARTE.png” title_text=”VolcARTE” url=”https:\/\/youtu.be\/U3sjFzYzFsE?si=92dl3rTyxfBqe9hH” url_new_window=”on” _builder_version=”4.23.3″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_blurb title=”\u201cTri\u00e1ngulo y composici\u00f3n: el legado de la pintura cl\u00e1sica en las representaciones del volc\u00e1n americano del siglo XIX\u201d.” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ciclo de charlas VolcARTE, Facultad de Artes y Humanidades, Universidad de los Andes. December 1, 2021.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=wYPE5sII4BQ&feature=youtu.be” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2022\/01\/burros.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”\u201cBurros y bestias: Los bocetos de asnos de Frederic Edwin Church y Martin Johnson Heade en Colombia y Ecuador\u201d.” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

XI Congreso Internacional de Teor\u00eda e Historia de las Artes.\u00a0<\/span><\/span>XIX Jornadas del CAIA, Buenos Aires. October 27-29, 2021.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=CVPX7rnFjpw&feature=emb_logo” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2022\/01\/Tierras-altas-y-tierras-bajas.png” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”Tierras altas y tierras bajas: La representaci\u00f3n gr\u00e1fica de la naci\u00f3n en la Comisi\u00f3n Corogr\u00e1fica 1850-1859″ _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ciclo de conferencias: Describiendo la Rep\u00fablica: Comisiones y viajeros del siglo XIX<\/i>. Instituto Colombiano de Antropolog\u00eda e Historia (ICANH). Conferencia virtual.<\/p>\n

Bogot\u00e1, 6 de mayo de 2021.<\/span><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/youtu.be\/GCc_dQZoOGM” image_src=”https:\/\/www.veronicauribe.com\/en\/wp-content\/uploads\/sites\/2\/2021\/04\/thumb-montana.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”The Image of the Mountain in Landscape Painting: Between East and West, Between North and South (In Spanish)” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ver\u00f3nica Uribe Hanabergh and Pr\u00f3spero Carbonell<\/p>\n

April 28, 2021<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”|||0px||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

2020<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=aQVINtKXggE&feature=youtu.be” image_src=”\/\/i.ytimg.com\/vi\/aQVINtKXggE\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”Art is not Comfort’s Friend (In Spanish)” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ver\u00f3nica Uribe y Patricia Zalamea.
April 6 2020<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=aolEPkaNUEk” image_src=”\/\/i.ytimg.com\/vi\/aolEPkaNUEk\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”Music and Painting: Twilight and Darkness in the 19th century (In Spanish) ” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ver\u00f3nica Uribe y Rondy Torres.
June 26 2020<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=0ct1tjeu7XE&t=5391s” image_src=”\/\/i.ytimg.com\/vi\/0ct1tjeu7XE\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”The Hardest Passage of the Cordilleras: Alexander von Humboldt, Landscape Painting and the Mountains of Colombia (In Spanish)” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

International Humboldt Day, International Biogeographical Society. University of Utah.
Septembrer 28 2020<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=nTIkHlFerWQ&feature=youtu.be” image_src=”\/\/i.ytimg.com\/vi\/nTIkHlFerWQ\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”One Year on the Magdalena River: Titian Ramsey Peale II in Colombia (In English)” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Pennsylvania Academy of Fine Arts. \u201cArt at Noon\u201d Program. Fall 2020 virtual program.
October 14 2020.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=tT1rz04D_Os&feature=youtu.be” image_src=”\/\/i.ytimg.com\/vi\/tT1rz04D_Os\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_blurb title=”Beatriz Gonz\u00e1lez: Reappropriation and Resignification of the Image (In English)” _builder_version=”4.16″ _module_preset=”default” header_font=”Poppins|500|||||||” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

University of the Arts, Philadelphia.
November 5 2020<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Libretas de dibujo: entrevista a las curadoras<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/sFYGyC14Gwk” image_src=”\/\/i.ytimg.com\/vi\/sFYGyC14Gwk\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

September 2017<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Di\u00e1logo en torno a las libretas de dibujo<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/4rTWFAWRiV4″ image_src=”\/\/i.ytimg.com\/vi\/4rTWFAWRiV4\/hqdefault.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Biblioteca Luis \u00c1ngel Arango 19 de octubre 2017<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Entrevista con Mauricio Rodr\u00edguez en L\u00edderes RCN.<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” link_option_url=”http:\/\/www.rcnradio.com\/audios\/lideres-rcn-entrevista-veronica-uribe\/” link_option_url_new_window=”on” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

\"\"<\/p>\n

September 2017<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Lanzamiento del libro Tarabitas y cabuyas: la representaci\u00f3n del puente en el arte en Colombia durante el siglo XIX. Presentaci\u00f3n a cargo del Rector Pablo Navas Sanz de Santamar\u00eda y la autora Ver\u00f3nica Uribe Hanabergh.<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/166417057″ image_src=”\/\/i.vimeocdn.com\/video\/570497579_960.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Place: Feria del Libro de Bogot\u00e1, Filbo 2016
April 27, 2016<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ver\u00f3nica Uribe en colaboraci\u00f3n con Irene Fernandez de Soto<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/123424217″ image_src=”\/\/i.vimeocdn.com\/video\/512761044_960.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Place: Universidad de los Andes, Bogot\u00e1
February 19 2015<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Ceremonia de entrega del Premio Julio Gonz\u00e1lez G\u00f3mez al libro Manual de Arte del siglo XIX en Colombia<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/113027601″ image_src=”\/\/i.vimeocdn.com\/video\/498604848_960.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Place: Consejo de Bogot\u00e1, Bogot\u00e1
November 27 2014<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

“El pintor viajero”, charla por Ver\u00f3nica Uribe Hanabergh<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/92665758″ image_src=”\/\/i.vimeocdn.com\/video\/472570850_640.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Place: Sede Nacional Uniandinos, Bogot\u00e1
March 12 2014<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px|||||” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_2_text_align=”center” header_2_text_color=”#edb700″ global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Presentaci\u00f3n del “Manual de arte del siglo XIX en Colombia”, de Beatriz Gonz\u00e1lez y Ver\u00f3nica Uribe Hanabergh<\/h2>\n

[\/et_pb_text][et_pb_video src=”https:\/\/vimeo.com\/81432351″ image_src=”\/\/i.vimeocdn.com\/video\/457661933_640.jpg” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_video][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}” theme_builder_area=”post_content”]<\/p>\n

Place: Universidad de los Andes, Bogot\u00e1
August 23 2013<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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December 9, 2021.Ciclo de charlas VolcARTE, Facultad de Artes […]<\/p>\n","protected":false},"author":1,"featured_media":135,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-31","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nConferences - Ver\u00f3nica Uribe - English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.veronicauribe.com\/en\/conferencias-y-entrevistas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conferences - Ver\u00f3nica Uribe - English\" \/>\n<meta property=\"og:description\" content=\"2025School History of Art, University of Edinburgh,October 14, 2025.Biblioteca P\u00fablica Piloto\/ Universidad Nacional de Colombia, sede Medell\u00edn. 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