{"id":21,"date":"2021-04-13T18:21:50","date_gmt":"2021-04-13T18:21:50","guid":{"rendered":"http:\/\/www.veronicauribe.com\/en\/?page_id=21"},"modified":"2023-12-27T15:05:33","modified_gmt":"2023-12-27T15:05:33","slug":"veronica-uribe","status":"publish","type":"page","link":"https:\/\/www.veronicauribe.com\/en\/veronica-uribe\/","title":{"rendered":"Ver\u00f3nica Uribe"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px|||||&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; header_2_text_align=&#8221;center&#8221; header_2_text_color=&#8221;#edb700&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h2>Curriculum Vitae<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.23.3&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;||||on||||&#8221; header_2_font_size=&#8221;20px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>Name<\/strong>: Ver\u00f3nica Uribe Hanabergh<br \/><strong>Date of Birth<\/strong>: April 17, 1979<br \/><strong>Place of Birth<\/strong>: Bogot\u00e1, Colombia<br \/><strong>Phone Number<\/strong>: +57-3175113311<br \/><strong>Emai<\/strong>l: <a href=\"mailto:v.uribe20@uniandes.edu.co\"><span>v.uribe20@uniandes.edu.co<\/span><\/a>; <a href=\"mailto:verouribe33@gmail.com\"><span>verouribe33@gmail.com<\/span><\/a><br \/><strong>Webpage:<\/strong> <a href=\"http:\/\/www.veronicauribe.com\"><span>www.veronicauribe.com<\/span><\/a><br \/><strong>Languages:<\/strong> Spanish (native), English (proficient\/fluent), Catalan (upper-intermediate), French (beginner)<br \/><strong>Orcid id:<\/strong> <a href=\"https:\/\/orcid.org\/0000-0003-0370-775X\"><span>https:\/\/orcid.org\/0000-0003-0370-775X<\/span><\/a><br \/><strong>Google Scholar:<\/strong> <a href=\"https:\/\/scholar.google.com\/citations?user=ArGZtuUAAAAJ&amp;hl=es\"><span>https:\/\/scholar.google.com\/citations?user=ArGZtuUAAAAJ&amp;hl=es<\/span><\/a><br \/><strong>Academia: <\/strong><a href=\"https:\/\/uniandes.academia.edu\/VeronicaUribe\">https:\/\/uniandes.academia.edu\/VeronicaUribe<\/a><\/p>\n<h2><strong>Current Position\/Affiliation<\/strong>\u00a0<\/h2>\n<ul>\n<li><strong>Associate professor<\/strong>, Art History Department, School of Arts and Humanities, Universidad de los Andes, Bogot\u00e1, Colombia (2010-present)<\/li>\n<\/ul>\n<h2><strong>Studies<\/strong><\/h2>\n<p>2009 D. in Humanities. Universidad Pompeu Fabra. Barcelona, Spain.\u00a0Cum Laude Dissertation: \u201cG\u00e9nesis del fragmento y el <em>non finito<\/em>: el boceto como expresi\u00f3n est\u00e9tica del siglo XIX\u201d.<br \/>2005\u00a0\u00a0\u00a0 DEA in Humanities (Advanced Studies Diploma- European Master\u2019s Degree).\u00a0Universidad Pompeu Fabra. Barcelona, Spain. Master\u2019s Thesis: \u201cEl pintor viajero: exploraci\u00f3n y pintura en la creaci\u00f3n moderna\u201d.<br \/>2001 \u00a0\u00a0 MFA in Painting. Visual Arts Program (Honors) GPA: 1st. Class Honors.\u00a0Canberra School of Art. Australian National University, Australia.<br \/>2000 BFA in Fine Arts. GPA: High Distinction. Canberra School of Art. Australian\u00a0National University<strong>, <\/strong>Australia.<\/p>\n<h2>Other Studies\/Courses\u00a0<\/h2>\n<p>2022\u00a0\u00a0\u00a0\u00a0 \u201cSexing the Canvas: Art and Gender\u201d. University of Melbourne- Coursera- Virtual Course. Professor Jeanette Hoorn. February- March 2022 (17-hour course). <a href=\"https:\/\/www.coursera.org\/learn\/gender-art\"><span>https:\/\/www.coursera.org\/learn\/gender-art<\/span><\/a>\u00a0<br \/>2022\u00a0\u00a0\u00a0 \u201cLeading for Equity, Diversity and Inclusion in Higher Education\u201d. University of Michigan- Coursera- Virtual Course. January 2022 (17-hour course). <a href=\"https:\/\/www.coursera.org\/learn\/leading-for-equity-diversity-inclusion\"><span>https:\/\/www.coursera.org\/learn\/leading-for-equity-diversity-inclusion<\/span><\/a>\u00a0<br \/>2020\u00a0\u00a0\u00a0 Digital Art History Summer School (DAHSS)- Universidad de M\u00e1laga and University of California, Berkeley. September 1- 5, 2020 (60-hour course). <a href=\"https:\/\/dahss.iarthislab.eu\/2021\/\"><span>https:\/\/dahss.iarthislab.eu\/2021\/<\/span><\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Fellowships, Grants and Prizes <\/strong><\/h3>\n<p>2022 \u00a0\u00a0 <strong>Getty Residential Scholar Grant. <\/strong>Thematic Year \u201cThe Fragment\u201d. April-June, 2022. <br \/>2020\u00a0\u00a0\u00a0 <strong>Getty Travel Grant <\/strong>CIHA World Congress \u201cMotion: Migrations\u201d, September 2-6, 2021, S\u00e3o Paulo, Brazil.<br \/>2019\u00a0 \u00a0 \u00a0<strong>Terra Foundation for American Art Symposium Grant<\/strong>. Grant awarded.\u00a0For the organization of the:<em> Landscape Art of the Americas: Intervention across the Nineteenth Century. <\/em>Universidad de los Andes, July 2019-May 2020, Bogot\u00e1, Colombia.<br \/>2019\u00a0\u00a0\u00a0 <strong>Internal Research Grant<\/strong>, CIC (Centro de Investigaci\u00f3n y Creaci\u00f3n), School of Arts and Humanities, Universidad de los Andes. Title of the project: \u201cTrabajo de archivo Titian Ramsey Peale, Filadelfia\u201d (Research of Titian Ramsey Peale Archives, Philadelphia\u201d.<br \/>2018\u00a0\u00a0\u00a0 <strong>Internal Research Grant<\/strong>, CIC (Centro de Investigaci\u00f3n y Creaci\u00f3n), School of Arts and Humanities, Universidad de los Andes. Title of the project: \u201cRanas y Presidentes\u00a0en las rocas: arte rupestre y retratos en el <em>Parque Arqueol\u00f3gico Las Piedras del Tunjo<\/em>, Facatativ\u00e1, Colombia\u201d (Frogs and Presidents on the rocks: preHispanic rock art and portraiture at the Arqueological Park <em>Las Piedras del Tunjo<\/em>, Facatativ\u00e1, Colombia\u201d.<br \/>2017\u00a0\u00a0\u00a0 <strong>Visiting Scholar Award, <\/strong><strong>Yale Center for British Art<\/strong>. Title of the project: \u201cThe Joseph and Ann Cox Brown Family Papers: Understanding British Travelling in the Nineteenth-Century from New Granada to Constantinople\u201d<em>. <\/em>Yale University, New Haven, Connecticut, May-July 2017.<br \/>2017\u00a0\u00a0\u00a0 <strong>Internal Research Grant<\/strong>, CIC (Centro de Investigaci\u00f3n y Creaci\u00f3n), School of Arts and Humanities, Universidad de los Andes. Title of the project: \u201cPerspectivas y representaciones del Salto de Tequendama\u201d (Representations and perspectives of the Salto de Tequendama).<br \/>2016\u00a0\u00a0\u00a0 <strong>Internal Research Grant<\/strong>, CIC (Centro de Investigaci\u00f3n y Creaci\u00f3n), School of Arts and Humanities, Universidad de los Andes. Title of the project: \u201cEstudio del \u00c1lbum de Antig\u00fcedades Neogranadinas de Liborio Zerda\u201d (Study of the \u00c1lbum de Antig\u00fcedades Neogranadinas de Liborio Zerda\u201d.<br \/>2016\u00a0 <strong>Research Support Grant, Paul Mellon Centre for the Study of British Art,\u00a0<\/strong><strong>London<\/strong>. Title of the project: \u201cJoseph Brown junior and his travels in Colombia\u00a0(1826-41)\u201d. June 2016.<br \/>2014\u00a0 <strong>1st Prize<\/strong>, <strong>Premio Julio Gonz\u00e1lez G\u00f3mez, 2014<\/strong>: Book: Gonz\u00e1lez Aranda,\u00a0Beatriz. <em>Manual de Arte en Colombia del siglo XIX. Con aportes paralelos sobre\u00a0<\/em><em>arte europeo de Ver\u00f3nica Uribe<\/em>. (<em>Nineteenth-Century Colombian Art Manual<\/em>).\u00a0Ediciones Uniandes. Bogot\u00e1, 2013. ISBN: 978-958-695-827-1. Secretar\u00eda de\u00a0Cultura, Recreaci\u00f3n y Deporte. Becas de Est\u00edmulos. Bogot\u00e1, Colombia.<br \/>2010\u00a0<strong> FAPA- Fondo de Apoyo a Profesores Asistentes (Assistant Professors Funding Grant)<\/strong>, Vicerrector\u00eda Acad\u00e9mica, Universidad de los Andes. Title of the project: \u201cViajes y fragmentos\u201d (Voyages and Fragments).<br \/>2001\u00a0\u00a0\u00a0 <strong>Golden Key International Honor Society Award<\/strong>. Australian National University. Canberra, Australia.<\/p>\n<p>&nbsp;<\/p>\n<h2>Work Experience<\/h2>\n<ul>\n<li><strong>Chair<\/strong>, Art History Department, School of Arts and Humanities, Universidad de los Andes, Bogot\u00e1, Colombia (2017-2021).<\/li>\n<li><strong>Associate Professor of Art History<\/strong>. School of Arts and Humanities. Universidad de los Andes. Bogot\u00e1, Colombia (2015-present).<\/li>\n<li><strong>Assistant Professor of Art History<\/strong>. School of Arts and Humanities, Universidad de los Andes. Bogot\u00e1, Colombia. 2010-2015<\/li>\n<li><strong>PhD Student Representative<\/strong> for the University Institute of Culture\u00b4s Council, Universidad Pompeu Fabra. Barcelona, Spain. 2004-2006.<\/li>\n<li><strong>Adjunct Professor<\/strong>. Fine Arts Department. Universidad de Bogot\u00e1 Jorge Tadeo Lozano. Bogot\u00e1, Colombia. 2002.<\/li>\n<li><strong>Museum Guide<\/strong>. Department of Education. Museo Nacional de Colombia (National Museum of Colombia). Bogot\u00e1, Colombia. January- September 2002.<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong>\u00a0<\/p>\n<h2><strong>Service to the Institution<\/strong><\/h2>\n<ul>\n<li><strong>Chair <\/strong>of the Art History Department. School of Arts and Humanities. Universidad de los Andes. Bogot\u00e1, Colombia. 2017-2021.<\/li>\n<li><strong>Director<\/strong> of the Art History Program. Art Department. School of Arts and Humanities. Universidad de los Andes. Bogot\u00e1, Colombia. 2014-2016.<\/li>\n<li><strong>Committee Member<\/strong><strong>, President,<\/strong> Relationships in the Workplace (Comit\u00e9 de Convivencia Laboral). Designated by the University President, 2020-2021.<\/li>\n<li><strong>Committee Member<\/strong>, Relationships in the Workplace (Comit\u00e9 de Convivencia Laboral). Designated by the University President, 2018-2020.<\/li>\n<li><strong>Committee Member<\/strong>, BADAC (Banco de Archivos Digitales de Artes en Colombia), Facultad de Artes y Humanidades, Universidad de los Andes, 2018-2021.<\/li>\n<li><strong>Committee Member<\/strong>, H-art: Revista de historia, teor\u00eda y cr\u00edtica de arte, Departamento de Historia del arte, Universidad de los Andes (2016-present).<\/li>\n<li><strong>Committee Member<\/strong>, Master\u00b4s Degree in Heritage, School of Postgraduate Studies, School of Arts and Humanities, Universidad de los Andes. 2018-2021.<\/li>\n<li><strong>Committee Member<\/strong>, Publications Committee, School of Arts and Humanities, Universidad de los Andes, 2012-2015<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Publications<\/h2>\n<p><strong>Books<\/strong><\/p>\n<ul>\n<li><strong>Book<\/strong>: Uribe, Ver\u00f3nica. <em>Tarabitas y cabuyas: la representaci\u00f3n del puente en el arte en Colombia durante el siglo XIX<\/em>. (<em>Tarabitas and cabuyas: the representation of the bridge in Nineteenth Century Colombian art<\/em>). Bogot\u00e1: Ediciones Uniandes, 2016. ISBN: 978-958-774-261-9.<\/li>\n<li><strong>Book:<\/strong> Uribe, Ver\u00f3nica. <em>El pintor viajero: exploraci\u00f3n y pintura en la cre<\/em>aci\u00f3n moderna (<em>The Travelling Painter: Exploration and Painting in Modern Creation<\/em>). Barcelona: Erasmus Ediciones, 2013. ISBN: 978-84-15462-14-9.<\/li>\n<li><strong>Book: <\/strong><em>El arte del fragmento: El origen del boceto como expresi\u00f3n est\u00e9tica<\/em>. (<em>The Art of the Fragment: The Origin of the Sketch as an Aesthetic Expression<\/em>). Barcelona: Erasmus Ediciones, 2012. ISBN: 978-84-92806-95-9.<\/li>\n<\/ul>\n<p><strong><br \/>Book Chapters and Catalogues<\/strong><\/p>\n<ul>\n<li><strong><span>Forthcoming book chapter: <\/span><\/strong><span>Uribe, Ver\u00f3nica, \u201c<\/span>En unos minutos empieza la funci\u00f3n: infancia, magia y memoria en el Teatro de Marionetas de Jaime Manzur\u201d. In Fern\u00e1ndez Reguera, Mario Omar. <em>El teatro de marionetas de Jaime Manzur<\/em> (Bogot\u00e1: Ediciones Uniandes, 2023).<\/li>\n<li><strong>Forthcoming book chapter: <\/strong>Uribe Hanabergh, Ver\u00f3nica. \u201cLa \u201coscura expedici\u00f3n a Colombia\u201d de Titian Ramsey Peale en 1831\u201d. <em>Relaciones bilaterales entre Colombia y Estados Unidos. 200 a\u00f1os de historias.<\/em> Ministerio de Cultura e Instituto Caro y Cuervo, 2023.<\/li>\n<li><strong>Book chapter:<\/strong> Uribe Hanabergh, Ver\u00f3nica. <span>\u201cVictorias conservadoras, entradas apote\u00f3sicas y construcciones ef\u00edmeras: los arcos del triunfo de Bogot\u00e1 en las conmemoraciones de la guerra civil de 1895\u201d. En <em>La materializaci\u00f3n del\u00a0pasado Monumentalizaci\u00f3n, memoria y\u00a0espacio\u00a0p\u00fablico en Colombia<\/em>, editado Sebasti\u00e1n Vargas \u00c1lvarez, 335-365. Bogot\u00e1: Editorial Universidad del Rosario, 2023. ISBN: 978-958-500-122-0<\/span><\/li>\n<li><strong>Book chapter:<\/strong> Uribe, Ver\u00f3nica. \u201c&#8221;El Rey Rodrigo despu\u00e9s de la derrota de Guadalete: Delacroix, la facilidad de ejecuci\u00f3n y el 15 de marzo de 1833&#8243;. En Torres, Rondy (comp.), <em>Florinda de Rafael Pombo. Edici\u00f3n cr\u00edtica y estudio del libreto de la \u00f3pera<\/em>. (Bogot\u00e1: Ediciones Uniandes, 2022). ISBN. 978-958-798-163-6<\/li>\n<li><strong>Catalogue entry: <\/strong>Uribe, Ver\u00f3nica. &#8220;Frederic Edwin Church: Paisaje Tropical&#8221;. En Alarc\u00f3, Paloma y Alba Campo Rosillo.\u00a0<em>Arte Americano en la Colecci\u00f3n Thyssen<\/em>. Madrid: Museo Thyssen Bornemisza, 2021: 130-131.<\/li>\n<li><strong>Book chapter: <\/strong>Uribe, Ver\u00f3nica. &#8220;Esbozo de una excursi\u00f3n: Una historia cultural abreviada del Salto de Tequendama&#8221;. En P\u00e9rez, Mateo.\u00a0<em>El Salto<\/em>.\u00a0Bogot\u00e1: IDARTES, 2021: 1-4.<\/li>\n<li><strong>Book chapter:<\/strong> Uribe, Ver\u00f3nica. \u201cBreve historia de una reflexi\u00f3n curricular: el programa de Historia del Arte (2016-2019)\u201d. En Langebaek Rueda, Carl, Francisco Said Zarur, Juana Margarita Hoyos. <em>Reflexi\u00f3n curricular en la Universidad de los Andes, 2015-2019<\/em>. Bogot\u00e1: Ediciones Uniandes, 2020.<\/li>\n<li><strong>Book chapter:<\/strong> \u201cVilla Paulina, sus murales y la memoria colectiva\u201d. In <em>Las Colecciones de arte en la Universidad de los Andes<\/em>, 119-149. Bogot\u00e1: Ediciones Uniandes, 2019.<\/li>\n<li><strong>Catalogue chapter:<\/strong> \u201cBreves antecedentes y pensamientos sueltos sobre la libreta de bocetos\u201d (\u201cBrief history and loose thoughts on the sketchbook\u201d). In <em>Libretas de dibujo: reencuentros de memoria gr\u00e1fica <\/em>(<em>Sketchbooks: re-encounters of graphic memory<\/em>), edited by Beatriz Gonz\u00e1lez and Ver\u00f3nica Uribe, 49-56. Bogot\u00e1: Banco de la Rep\u00fablica, 2017.<\/li>\n<li><strong>Book chapter:<\/strong> \u201cLa infructuosa b\u00fasqueda de dos bocetos para Ester.\u201d (\u201cRevealing sources: The eager search of two sketches for <em>Esther\u201d).<\/em> In <em>Jos\u00e9 Mar\u00eda Ponce de Le\u00f3n y la \u00f3pera colombiana en el siglo XIX &amp; Ester, libreto de Rafael Pombo<\/em> (<em>Jos\u00e9 Mar\u00eda Ponce de Le\u00f3n and Colombian Nineteenth-Century Opera<\/em>), edited by Rondy Torres, 145-165. Bogot\u00e1: Biblioteca Nacional de Colombia y Ediciones Uniandes, 2014. ISBN: 978-958-774-000-4.<\/li>\n<li><strong>Book chapter: <\/strong>Gonz\u00e1lez Aranda, Beatriz. <em>Manual de Arte en Colombia del siglo XIX. Con aportes paralelos sobre arte europeo de Ver\u00f3nica Uribe<\/em>. (<em>Nineteenth-Century Colombian Art Manual with contributions on European Art by Ver\u00f3nica Uribe<\/em>). Bogot\u00e1: Ediciones Uniandes, ISBN: 978-958-695-827-1<\/li>\n<li><strong>Book chapter<\/strong>: \u201cThe Sketch and the Imagination in the Travel Notebooks of Romantic Painters.\u201d In <em>Engaged Romanticism: Romanticism as Praxis, edited by <\/em>Lussier, Mark and Matsunaga, Bruce<em>, <\/em>178-195. <em>London: <\/em>Cambridge Scholars Press, 2008. ISBN (10): 1-84718-914-8. ISBN (13): 9781847189141.<\/li>\n<\/ul>\n<p><strong><br \/>Articles and editorial texts<\/strong><\/p>\n<ul>\n<li><strong>Article:<\/strong> \u201cAndean Contemplation and Humboldtian Aesthetic Composition in Charles Empson`s The Rustic Corridor\u201d. <em>Anuario de Historia Regional y de las Fronteras<\/em>, Universidad Industrial de Santander, Vol. 27 No. 2, July 2022. <a href=\"https:\/\/revistas.uis.edu.co\/index.php\/anuariohistoria\/article\/view\/13448\">https:\/\/revistas.uis.edu.co\/index.php\/anuariohistoria\/article\/view\/13448<\/a><\/li>\n<li><strong>Article<\/strong><strong>:<\/strong> \u201cTraveling from stillness and sharing while in lockdown\u201d. Special issue: <em>Unprecedented Disruptions: Nineteenth-Century Scholars Reflect on 2020<\/em>. <em>Nineteenth-Century Contexts<\/em>, Vol. 43, No. 5: 1-7. <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/08905495.2021.1975466\">https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/08905495.2021.1975466<\/a><\/li>\n<li><strong>Article<\/strong><strong>:<\/strong> \u201cKeeping, saving and remembering: Manuel Doroteo Carvajal\u00b4s trompe l\u00b4oeil autograph drawings as elements of rhetorical visual strategy during the Colombian civil wars of the 1850s and 60s\u201d. <em>Source: Notes on the History of Art. University of Chicago Press <\/em>(Spring 2021). <a href=\"https:\/\/www.journals.uchicago.edu\/toc\/sou\/current\"><span>https:\/\/www.journals.uchicago.edu\/toc\/sou\/current<\/span><\/a><\/li>\n<li><strong>Article: <\/strong>\u201cBocetos de infancia: la libreta \u201cDibujos del hogar, 1895\u201d de Francisco Antonio Cano (Sketching childhood: the transitory instant in Francisco Antonio Cano\u00b4s 1895 baby book)\u201d. <em>Revista Historia y Sociedad.<\/em> Departamento de Historia de la Facultad de Ciencias Humanas y Econ\u00f3micas de la Universidad Nacional de Colombia, sede Medell\u00edn. N\u00famero 39. 2020: 272-308. DOI: <a href=\"http:\/\/dx.doi.org\/10.15446\/hys.n39.82593\">http:\/\/dx.doi.org\/10.15446\/hys.n39.82593<\/a><\/li>\n<li><strong>Editorial text:<\/strong> \u201cEn defensa del siglo XIX: recordar es volver a vivir\u201d. <em>HART: revista de historia, teor\u00eda y cr\u00edtica de arte<\/em>. No. 7: 147-157. ISSN 2539-2263 | eISSN 2590-9126. Universidad de los Andes. <a href=\"https:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart07.2020.08\">https:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart07.2020.08<\/a><\/li>\n<li><strong>Article: <\/strong>\u201cTitian Ramsey Peale\u2019s 1831 \u2018obscure expedition to Colombia\u2019: <em>status quaestionis<\/em> of the sketches at the American Philosophical Society\u201d. <em>H-ART: Revista de historia, teor\u00eda y cr\u00edtica de arte<\/em>. No. 7: 287-312 ISSN 2539-2263 | eISSN 2590-9126. Universidad de los Andes. <a href=\"https:\/\/doi.org\/10.25025\/hart07.2020.13\">https:\/\/doi.org\/10.25025\/hart07.2020.13<\/a><\/li>\n<li><strong>Article:<\/strong> \u201cPintar el ruido con silencio: descripciones sonoras y representaciones visuales decimon\u00f3nicas del salto del Tequendama\u201d (\u201c<em>Painting Noise with Silence: Nineteenth-century Sonorous Descriptions and Visual Representations of the Tequendama Cascade\u201d<\/em>). <em>Anales del Instituto de Investigaciones Est\u00e9ticas<\/em>, no. XLI, n\u00fam. 115, (oto\u00f1o de 2019) Instituto de Investigaciones Est\u00e9ticas, Universidad Nacional Aut\u00f3noma de M\u00e9xico: 9-60. <a href=\"https:\/\/doi:10.22201\/iie.18703062e.2019.115.2689\">https:\/\/doi:10.22201\/iie.18703062e.2019.115.2689<\/a><\/li>\n<li><strong>Article:<\/strong> \u201cA Colombian Mount Rushmore: liberal irreverence during the conservative hegemony at the Piedras del Tunjo Archeological Park in Facatativ\u00e1, Colombia\u201d. <em>Nineteenth-Century Contexts<\/em> (September 2019, Volume 41, Number 5). ISSN: 0890-5495 (Print) 1477-2663 (Online). <a href=\"https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/08905495.2019.1669347\">https:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/08905495.2019.1669347<\/a><\/li>\n<li><strong>Article:<\/strong> \u201cPaisaje con un r\u00edo y casas, posiblemente en las cercan\u00edas de Popay\u00e1n, dibujo de la Campa\u00f1a del Sur atribuido a Jos\u00e9 Mar\u00eda Espinosa: un caso de paisaje al aire libre en los albores de la modernidad en Colombia\u201d (\u201cLandcape with a river and houses, possibly near Popay\u00e1n, a drawing from the Southern Campaign of Independence attributed to Jos\u00e9 Mar\u00eda Espinosa: a case of <em>plein air<\/em> drawing at the beginning of Colombian Modernity\u201d). <em>Revista Colombiana de Pensamiento Est\u00e9tico e Historia del Arte<\/em>, no. 7 (January-June 2018): Facultad de Ciencias Humanas y Econ\u00f3micas, Universidad Nacional, Medell\u00edn (e-ISSN: 2389-9794). <a href=\"https:\/\/revistas.unal.edu.co\/index.php\/estetica\/article\/view\/92171\">https:\/\/revistas.unal.edu.co\/index.php\/estetica\/article\/view\/92171<\/a><\/li>\n<li><strong>Article:<\/strong> \u201cEl \u00c1lbum de Antiguedades Neogranadinas de Liborio Zerda\u201d (\u201cThe Album of Antiques from Nueva Granada by Liborio Zerda\u201d). <em>Bolet\u00edn de Historia y Antig\u00fcedades<\/em>, no. 864 (2017): Academia Colombiana de Historia: 73-116. ISSN Impreso: 0006-6303 \/ digital: 2357-6553.<\/li>\n<li><strong>Introductory text:<\/strong> \u201cPresentaci\u00f3n\u201d. En Manuel Anc\u00edzar, <em>Peregrinaci\u00f3n de Alpha<\/em>. Biblioteca B\u00e1sica de Cultura Colombiana, Biblioteca Nacional de Colombia, 2017. ISBN 978-958-8959. <a href=\"https:\/\/siise.bibliotecanacional.gov.co\/BBCC\/Documents\/View\/265?AspxAutoDetectCookieSupport=1\">https:\/\/siise.bibliotecanacional.gov.co\/BBCC\/Documents\/View\/265?AspxAutoDetectCookieSupport=1<\/a><\/li>\n<li><strong>Online Article:<\/strong> &#8220;Carmelo Fern\u00e1ndez, <em>The Strait of Furatena in the Minero River<\/em>,&#8221; in <em>Smarthistory<\/em>, April 21, 2017, accessed April 25, 2017, <a href=\"https:\/\/smarthistory.org\/strait-of-furatena\/\">https:\/\/smarthistory.org\/strait-of-furatena\/<\/a>.<\/li>\n<li><strong>Article:<\/strong> \u201cLa Comisi\u00f3n Corogr\u00e1fica colombiana y la Mission H\u00e9liographique francesa: dos empresas nacionales a luz del positivismo del siglo XIX\u201d (\u201cThe Colombian Corographic Commission and the French Mission Heliographique: two enterprises at the dawn of Nineteenth-Century Positivism\u201d) <em>Revista Historia y Sociedad.<\/em> Departamento de Historia de la Facultad de Ciencias Humanas y Econ\u00f3micas de la Universidad Nacional de Colombia, sede Medell\u00edn. N\u00famero 30. 2016: 171-197. <a href=\"https:\/\/revistas.unal.edu.co\/index.php\/hisysoc\/article\/view\/53810\">https:\/\/revistas.unal.edu.co\/index.php\/hisysoc\/article\/view\/53810<\/a><\/li>\n<li><strong>Article:<\/strong> \u201c<a href=\"http:\/\/www.theartsjournal.org\/index.php\/site\">Translating landscape: the Colombian Corographic Commission\u201d.<\/a><em>The Journal of Arts and Humanities.<\/em> 3:1 (2014): 126-136.\u00a0 (ISSN 2167-9045) 3 (1), 2014. <a href=\"https:\/\/www.theartsjournal.org\/index.php\/site\/article\/view\/264\">https:\/\/www.theartsjournal.org\/index.php\/site\/article\/view\/264<\/a><\/li>\n<li><strong>Article:<\/strong> \u201cLa influencia del Torso del Belvedere como fragmento accidental en el arte, desde el Renacimiento hasta el siglo XIX.\u201d (The influence of the Belvedere Torso as an accidental fragment, from the Renaissance to the Nineteenth Century). <em>Ensayos: Historia y Teor\u00eda del Arte<\/em>. N\u00famero 23. Universidad Nacional de Colombia. Bogot\u00e1, 2013. ISSN: 1692-3502. <a href=\"https:\/\/revistas.unal.edu.co\/index.php\/ensayo\/article\/view\/46173\">https:\/\/revistas.unal.edu.co\/index.php\/ensayo\/article\/view\/46173<\/a><\/li>\n<\/ul>\n<p><strong>Reviews<\/strong><\/p>\n<ul>\n<li><strong>Upcoming Book Review: <\/strong>Uribe Hanabergh, Ver\u00f3nica. Review of Barrett, Ross. <em>Speculative Landscapes: American Art and Real Estate in the Nineteenth Century<\/em>. University of California Press, 2022. En <em>Early Popular Visual Culture<\/em>, Thames and Hudson. <a href=\"https:\/\/doi.org\/10.1080\/17460654.2023.2230026\">https:\/\/doi.org\/10.1080\/17460654.2023.2230026<\/a><\/li>\n<li><strong>Exhibition Review:<\/strong> Uribe Hanabergh, Ver\u00f3nica. Exhibition review of\u00a0<em>Rosa Bonheur (1822\u20131899)<\/em>,\u00a0<em>Nineteenth-Century Art Worldwide<\/em>22, no. 1 (Spring 2023),\u00a0<a href=\"https:\/\/doi.org\/10.29411\/ncaw.2023.22.1.20\">https:\/\/doi.org\/10.29411\/ncaw.2023.22.1.20<\/a>. <a href=\"https:\/\/www.19thc-artworldwide.org\/spring23\/hanabergh-reviews-rosa-bonheur-1822-1899\"><span>https:\/\/www.19thc-artworldwide.org\/spring23\/hanabergh-reviews-rosa-bonheur-1822-1899<\/span><\/a><\/li>\n<li><strong>Book Review: <\/strong>Uribe Hanabergh, Ver\u00f3nica. \u201cBook Review of \u2018Inventing Indigenism: Francisco Laso\u2019s Image of Modern Peru.\u2019\u201d En: <em>Latin American and Latinx Visual Culture<\/em>, Vol. 5, no. 2 (April 2023). <a href=\"https:\/\/online.ucpress.edu\/lalvc\/article-abstract\/5\/2\/149\/195946\/Review-Inventing-Indigenism-Francisco-Laso-s-Image?redirectedFrom=fulltext\">https:\/\/online.ucpress.edu\/lalvc\/article-abstract\/5\/2\/149\/195946\/Review-Inventing-Indigenism-Francisco-Laso-s-Image?redirectedFrom=fulltext<\/a><\/li>\n<li><strong>Book Review<\/strong>: Uribe Hanabergh, Ver\u00f3nica. <span>Book: <em>Constelaciones Visuales: La mirada del viajero durante el siglo XIX en Colombia.<\/em> In: <em>Revista Historia y Sociedad<\/em>, no.\u00a043 (July-December 2022). https:\/\/revistas.unal.edu.co\/index.php\/hisysoc\/article\/view\/102826<\/span><\/li>\n<li><strong>Book Review:<\/strong> Uribe Hanabergh, Ver\u00f3nica. <span>Book: <em>Antig\u00fcedades y naci\u00f3n: Coleccionismo de objetos precolombinos y musealizaci\u00f3n en los Andes<\/em>, <em>1892-1915.<\/em> In: <em>H-ART. Revista de historia, teor\u00eda y cr\u00edtica de arte<\/em>, no.\u00a011 (May 2022). <\/span><a href=\"https:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart11.2022.13\"><span>https:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart11.2022.13<\/span><\/a><\/li>\n<li><strong>Exhibition Review:<\/strong> Uribe Hanabergh, Ver\u00f3nica. <span>&#8220;\u201cLa naturaleza de las cosas: Humboldt, idas y venidas\u201d, Halim Badawi. Museo de Arte, Universidad Nacional de Colombia, Bogot\u00e1. 8 de mayo a 6 de julio 2019&#8221;.\u00a0<em>H-ART. Revista de historia, teor\u00eda y cr\u00edtica de arte<\/em>, no.\u00a05 (2019): 247-254.\u00a0<\/span><a href=\"https:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart05.2019.13\"><span>https:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart05.2019.13<\/span><\/a><\/li>\n<\/ul>\n<p><span>\u00a0<\/span><\/p>\n<h2>Memberships, Boards and External Committee Representations<\/h2>\n<ul>\n<li><strong>Board Member, Association of Historians of Nineteenth Century Art<\/strong> (2022-2024). <a href=\"https:\/\/ahnca.org\/index.php\/ahnca-board\">https:\/\/ahnca.org\/index.php\/ahnca-board<\/a><\/li>\n<li><strong>Associate Director (Universities), CNCSI, <\/strong>Center for Nineteenth-Century Studies International, Durham, UK (2021-2026) <a href=\"https:\/\/www.durham.ac.uk\/research\/institutes-and-centres\/nineteenth-century-studies\/about\/people\/international\/cncsi\/\">https:\/\/www.durham.ac.uk\/research\/institutes-and-centres\/nineteenth-century-studies\/about\/people\/international\/cncsi\/<\/a><\/li>\n<li><strong>Diversity Committee Chair, INCSA, <\/strong>International Nineteenth-Century Studies Association (2021-present)<\/li>\n<li><strong>President, Colombian Art History Commitee<\/strong> (Comit\u00e9 Colombiano de Historia del Arte- CCHA), Chapter for the International Art History Committee- CIHA) (2020-2021). <a href=\"https:\/\/www.ccha.co\/comite\/\">https:\/\/www.ccha.co\/comite\/<\/a><\/li>\n<li><strong>Treasurer, Colombian Art History Commitee<\/strong> (Comit\u00e9 Colombiano de Historia del Arte- CCHA), Chapter for the International Art History Committee- CIHA) (2016-2020). <a href=\"https:\/\/www.ccha.co\/comite\/\">https:\/\/www.ccha.co\/comite\/<\/a><\/li>\n<li><strong>Board Member, Interdisciplinary Nineteenth Century Studies Association<\/strong> <strong>(INCS)<\/strong>, 2018-2020. <a href=\"https:\/\/incsscholars.org\/board\/\">https:\/\/incsscholars.org\/board\/<\/a><\/li>\n<li><strong>Institutional Review Board (High School AP Research Program) <\/strong>Colegio Nueva Granada, Bogot\u00e1, Colombia (2018-present)<\/li>\n<li><strong>Founding Member, Colombian Art History Commitee<\/strong> (Comit\u00e9 Colombiano de Historia del Arte- CCHA), Chapter for the International Art History Committee- CIHA) (2016-present). <a href=\"https:\/\/www.ccha.co\/comite\/\">https:\/\/www.ccha.co\/comite\/<\/a><\/li>\n<li><strong>Member, Society for Global Nineteenth-Century Studies <\/strong>(2022- present)<\/li>\n<li><strong>Member, Nineteenth Century Studies Association <\/strong>(2018-present)<\/li>\n<li><strong>Member, Interdisciplinary Nineteenth Century Studies Association <\/strong>(2015-present)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Editorial and Scientific Committee Experience<\/h2>\n<ul>\n<li><strong>Member: <\/strong>INCSA (International Nineteenth-Century Studies Association, Durham University, UK) Book Series Editorial Advisory Board (invited March 2023).<\/li>\n<li><strong>Program Committee:<\/strong> <em>Society for Global Nineteenth-Century Studies<\/em>. World Congress, &#8220;Comparative Empire: Conflict, Competition, Cooperation\u201d. (Singapore 19- 22 June 2023). <a href=\"https:\/\/www.global19c.com\/#:~:text=The%20Society%20for%20Global%20Nineteenth,connectedness%20between%201750%20and%201914\"><span>https:\/\/www.global19c.com\/#:~:text=The%20Society%20for%20Global%20Nineteenth,connectedness%20between%201750%20and%201914<\/span><\/a>.<\/li>\n<li><strong>Member of the Editorial Board: <\/strong><em>Art in Translation<\/em>. Getty Foundation and Routledge Journals (February 2022- present). <a href=\"http:\/\/www.artintranslation.org\/\">http:\/\/www.artintranslation.org\/<\/a><\/li>\n<li><strong>Member of the Scientific Committee<\/strong>. <em><span>Revista Minius: Historia, Arte y Geograf\u00eda<\/span><\/em><span>. Universidad de Vigo, Espa\u00f1a. (November 2021- present). <\/span><a href=\"http:\/\/revistas.webs.uvigo.es\/index.php\/mns\/index\"><span>http:\/\/revistas.webs.uvigo.es\/index.php\/mns\/index<\/span><\/a><\/li>\n<li><strong>Guest Editor:<\/strong> Thematic Cluster\/Dossier: \u201cColombia, XIXth Century: Travel, Exchanges and other Forms of Circulation\u201d. <em>Revista H-ART: Revista de historia, teor\u00eda y cr\u00edtica de arte<\/em>. Departamento de Historia del Arte. Universidad de los Andes. June 2020 edition. <a href=\"https:\/\/revistas.uniandes.edu.co\/pb-assets\/Call-For\">https:\/\/revistas.uniandes.edu.co\/pb-assets\/Call-For<\/a> Papers\/HART\/7\/siglo%20xix%20ingles-1571241940467.pdf<\/li>\n<li><strong>Member of the Editorial Board<\/strong>: <em>Revista H-ART: Revista de historia, teor\u00eda y cr\u00edtica de arte. Departamento de Historia del Arte<\/em>. Universidad de los Andes. (2016-present). <a href=\"https:\/\/hart.uniandes.edu.co\"><span>https:\/\/hart.uniandes.edu.co<\/span><\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>\u00a0<strong>Curated Exhibitions<\/strong><\/h2>\n<ul>\n<li>E<em>ntre dos orillas: puentes, progreso, pa\u00eds (Between two shores: bridges, progress and country<\/em>. Museo Nacional de Colombia. Bogot\u00e1, Colombia. February 12- March 20<sup>th<\/sup>, 2017<\/li>\n<li><em>Libretas de dibujos<\/em>: <em>reencuentros de memoria gr\u00e1fica (Sketchbooks: reencounters of graphic memory).<\/em> Biblioteca Luis \u00c1ngel Arango, Casa Republicana, Banco de la Rep\u00fablica. Bogot\u00e1, Colombia. October 17, 2017- June 16, 2018.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Lectures\/Talks<\/h2>\n<ul>\n<li><strong>Conferencia:<\/strong> \u201cJos\u00e9 Mar\u00eda Espinosa, 1796-1883: abanderado del dibujo en Colombia\u201d. Biblioteca Nacional de Colombia. 28 de febrero de 2023.<\/li>\n<li><strong>Conferencia:<\/strong> \u201cLa vasija de Chirajara o la olla de barro que conten\u00eda el tesoro: La construcci\u00f3n del pasado prehisp\u00e1nico en el siglo XIX\u201d. dictada con Natalia Lozada en el marco del conversatorio: Pasado, presente y naci\u00f3n en Colombia. Museo Arqueol\u00f3gico La Merced, MUSA. Cali, Colombia. Jueves 23 de marzo 2023<\/li>\n<li><strong>Conferencia:<\/strong> &#8220;Cinco ideas fundamentales para escribir una historia del arte del paisaje en el siglo XIX en Colombia&#8221;. Ciclo de conferencias, Pensar Colombia. Instituto de Lenguas Romances. Universidad de Erlangen-N\u00farenberg, Alemania. 11 de mayo, 2023.<\/li>\n<li>\u201cBridging the Americas: U.S. Travelers and the Unity of Nature in 19th-Century Colombian Landscape Painting\u201d. Department of Art abd Art History. University of North Carolina, Chapel Hill. January 26, 2023.<\/li>\n<li>\u201cThe Meta Sketch as Fragment\u201d. Getty Scholar Lecture Series. Getty Research Institute- Ada Louise Huxtable Lecture Hall. June 13, 2022.<\/li>\n<li>\u201cIconographies of landscape painting in 19th-century Colombia.\u201d Hybrid talk. Art History Department; Levan Institute for the Humanities and the Center for Latinx and Latin American Studies, University of Southern California. Los Angeles, April 20, 2022. <a href=\"https:\/\/calendar.usc.edu\/event\/iconographies_of_landscape_painting_in_19th-century_colombia_a_lecture_by_veronica_uribe_universidad_de_los_andes#.YlEK7G7MKuV\">https:\/\/calendar.usc.edu\/event\/iconographies_of_landscape_painting_in_19th-century_colombia_a_lecture_by_veronica_uribe_universidad_de_los_andes#.YlEK7G7MKuV<\/a><a href=\"https:\/\/calendar.usc.edu\/event\/iconographies_of_landscape_painting_in_19th-century_colombia_a_lecture_by_veronica_uribe_universidad_de_los_andes#.YlEK7G7MKuV\"><\/a>\u00a0<\/li>\n<li>\u201cBridging the Americas: U.S. Travelers and Landscape in 19th-Century Colombian Art\u201d. In person. Department of Art History, Florida State University. March 9, 2022.<\/li>\n<li>\u201c\u00b4The Land of Beautiful Flowers and Birds`: The Journey of Frederic Edwin Church through New Granada, April &#8211; August 1853\u201d. Virtual Talk. The Olana Partnership, Hudson, New York. December 9, 2021. <a href=\"https:\/\/www.youtube.com\/watch?v=_iLV1ukkQWg\">https:\/\/www.youtube.com\/watch?v=_iLV1ukkQWg<\/a><\/li>\n<li>\u201cTri\u00e1ngulo y composici\u00f3n: el legado de la pintura cl\u00e1sica en las representaciones del volc\u00e1n americano del siglo XIX\u201d. Ciclo de charlas VolcARTE, Facultad de Artes y Humanidades, Universidad de los Andes. December 1, 2021. <a href=\"https:\/\/facartes.uniandes.edu.co\/\">https:\/\/facartes.uniandes.edu.co\/<\/a><\/li>\n<li>\u201cSuper fecundity of plants and botanical studies as tropes: Frederic Edwin Church\u00b4s <em>Tropical Landscape<\/em>\u201d. Scholar\u00b4s Convening June 11-12, 2021. Museo Nacional Thyssen Bornemisza, Madrid.\/Terra Foundation for American Art<\/li>\n<li>\u201cHigh lands and low lands: Graphic Representation of the Nation in the Comisi\u00f3n Corogr\u00e1fica, 1850-1859\u201d (\u201cTierras altas y tierras bajas: La representaci\u00f3n gr\u00e1fica de la naci\u00f3n en la Comisi\u00f3n Corogr\u00e1fica 1850-1859\u201d). <em>Lecture series :Describing the Republic: Comissions and travelers of the 19th century. <\/em><em>(<\/em><em>Describiendo la Rep\u00fablica: Comisiones y viajeros del siglo XIX<\/em>). Instituto Colombiano de Antropolog\u00eda e Historia\/ Colombian Institute of History and Anthropology. (ICANH). Virtual conference. Bogot\u00e1, may 6, 2021. <a href=\"https:\/\/youtu.be\/CVPX7rnFjpw\">https:\/\/youtu.be\/CVPX7rnFjpw<\/a><\/li>\n<li>\u201cOne year on the Magdalena River: Titian Ramsay Peale II in Colombia, 1830-1832\u201d. Art at Noon program. Pennsylvania Academy of the Fine Arts, PAFA. Octubre 14, 2020. <a href=\"https:\/\/www.pafa.org\/events\/one-year-magdalena-river-titian-ramsay-peale-ii-colombia-101420\">https:\/\/www.pafa.org\/events\/one-year-magdalena-river-titian-ramsay-peale-ii-colombia-101420<\/a><\/li>\n<li>\u201cEl pasaje m\u00e1s dif\u00edcil de toda la Cordillera de los Andes: Alexander von Humboldt, la pintura de paisaje y las monta\u00f1as de Colombia\u00a0(The most difficult passage in the entire Cordillera of the Andes\u00a0:\u00a0Alexander von Humboldt, landscape\u00a0painting\u00a0and the mountains of Colombia)\u201d. International Humboldt Day, International Biogeographical Society. September 18, 2020. <a href=\"https:\/\/www.humboldtday.org\/event\/sobre-el-estudio-de-montanas-y-rios-el-legado-de-humboldt-en-las-ciencias-naturales-y-humanidades-de-colombia\/?wcs_timestamp=1600443015\"><span>https:\/\/www.humboldtday.org\/event\/sobre-el-estudio-de-montanas-y-rios-el-legado-de-humboldt-en-las-ciencias-naturales-y-humanidades-de-colombia\/?wcs_timestamp=1600443015<\/span><\/a><\/li>\n<li>\u201cValoraci\u00f3n del patrimonio prehisp\u00e1nico a la luz del siglo XIX en Colombia: casos de estudio recientes.\u201d CEAACP, <em>Centro de Estudos de Arqueolog\u00eda, Artes e Ci\u00eancias do Patrim\u00f3nio y Facultad de Letras<\/em>, Universidad de Coimbra, Portugal. October 10, 2019.<\/li>\n<li>\u201cBeholding Nature in all her majesty: Andean contemplation and Humboldtian aesthetic composition in Charles Empson`s The Rustic Corridor\u201d. Mountain Aesthetics and Ecology: The Conceptual Heritage of Alexander von Humboldt in the America September 18-19, 2019. Instituto de Investigaciones Est\u00e9ticas, UNAM and Terra Foundation for American Art, Mexico City.<\/li>\n<li>\u201cBocetos y ni\u00f1os: la libreta \u201cDibujos del hogar\u201d de 1895 de Francisco Antonio Cano\u201d. Banco de la Rep\u00fablica. May 3, 2018. Bogot\u00e1.<\/li>\n<li>\u201cFrom Humboldt to the Quimbaya treasure: the representation of the prehispanic past in the discourse of the creation of the nation during the nineteenth century in Colombia\u201d Museo Casa Marqu\u00e9s de San Jorge. Bogot\u00e1. March 9, 2017.<\/li>\n<li>\u201cSpectacle and tragedy: images and bridges in Colombia\u201d. Museo Nacional de Colombia. Marzo 7, 2017.<\/li>\n<li>\u201cTarabitas y cabuyas: los puentes en las colecciones de Arte del Banco de la Rep\u00fablica y la Biblioteca Luis \u00c1ngel Arango\u201d. Biblioteca Luis \u00c1ngel Arango, Sala de Audiovisuales, Banco de la Rep\u00fablica. Bogot\u00e1, Colombia. November 10th, 2016<\/li>\n<li>\u201cLandscape with a river and houses, possibly near Popay\u00e1n: A drawing by Jos\u00e9 Mar\u00eda Espinosa during the Southern Campaigns?\u201d II Conference on Art History. Universidad Jorge Tadeo Lozano, Bogot\u00e1, Colombia. October 25-27, 2016.<\/li>\n<li>\u201cThe travelling painter\u201d. Sede Nacional Uniandinos. Bogot\u00e1. March 12, 2014.<\/li>\n<\/ul>\n<ul><\/ul>\n<h3><strong>\u00a0<\/strong><\/h3>\n<h2>Conferences<\/h2>\n<ul>\n<li>\u201cExtracting the visual: mobility, migration and ecology seen through Nineteenth-century visual representations of Colombian mining\u201d. 35th CIHA World Congress \u2013 Motion: Migrations. Comit\u00e9 International d\u2019Histoire de l\u2019Art \u2013 CIHA and Comit\u00ea Brasileiro de Hist\u00f3ria da Arte \u2013 CBHA. S\u00e3o Paulo, Brazil, January 17-21, 2022. <a href=\"http:\/\/www.ciha2022.mac.usp.br\/\">http:\/\/www.ciha2022.mac.usp.br\/<\/a><\/li>\n<li>\u201cBurros y bestias: Los bocetos de asnos de Frederic Edwin Church y Martin Johnson Heade en Colombia y Ecuador\u201d. XI Congreso Internacional de Teor\u00eda e Historia de las Artes. XIX Jornadas del CAIA, Buenos Aires. October 27-29, 2021. <a href=\"https:\/\/uniandes-edu-co.zoom.us\/rec\/share\/WpSzyWnc0nf0d_xrDjZdIFixOxI20IyxVnUZKVDFb0VYhY-VTEm3HB4RNk2jMdUn.nFvVFJrxjgm5Cszj?startTime=1632335844000\"><span>Watch presentation here.<\/span><\/a><\/li>\n<li>\u201cExcavating the undiscoverable: the clay pot of Chirajara, \u2018a historic book whose cover is made of clay and its characters are made if gold.\u2019\u201d. 42<sup>nd<\/sup> Conference of the Nineteenth-Century Studies Association \u201cDiscovery\u201d (Virtual). University of Sacramento. March 11-13, 2021<\/li>\n<li>\u201cBeholding Nature in all her majesty: Andean contemplation and Humboldtian aesthetic composition in Charles Empson`s The Rustic Corridor\u201d Interdisciplinary Nineteenth Century Studies Association Annual Conference: Sustainability, Industrialization and Environmental Knowledge. \u201cThe Green Conference\u201d, Los Angeles, March 5-8, 2020.<\/li>\n<li>\u201cKeeping, saving and remembering: Manuel D. Carvajal\u00b4s <em>trompe l\u00b4oeil<\/em> autograph drawings as elements of rhetorical visual strategy during the Colombian civil wars of the 1850s and 60s\u201d. Materiality &amp; Mediums in 19th\u00a0century Art: Matters of Substance Session. CAA- Chicago College Art Association meeting, Chicago, Feb. 12-15, 2020.<\/li>\n<li>\u201cA Colombian Mount Rushmore: liberal irreverence during the conservative hegemony at the Piedras del Tunjo in Facatativ\u00e1, Colombia\u201d. Interdisciplinary Nineteenth-Century Studies Conference 2019: Monuments and Memory. Dallas, Texas. March 21-24, 2019.<\/li>\n<li>\u201cTitian Ramsey Peale\u2019s 1830s, \u2018obscure expedition to Colombia\u2019: the sketches at the American Philosophical Society\u201d. 40th Annual Conference of the Nineteenth Century Studies Association: Explorations. March 7-9, 2019. University of Kansas, Kansas City, Missouri.<\/li>\n<li>\u201cPainting the Silence of Sound: Nineteenth Century Images of Colombia\u2019s Tequendama Falls\u201d. 39th Annual Conference of the Nineteenth Century Studies Association. Philadelphia, Pennsylvania. March 15-17, 2018<\/li>\n<li>\u201cSketching childhood: the transitory instant in Francisco Antonio Cano\u00b4s 1895 baby book\u201d. Interdisciplinary Nineteenth-Century Studies Conference 2018: Serials, Cycles, Suspensions. San Francisco, CA. March 1-4, 2018.<\/li>\n<li>\u201cAnn Cox Brown and her travels to Constantinople: 1836-1853\u201d. Romanticism and the Peripheries: An International and Interdisciplinary Conference. Lisbon, Calouste Gulbenkian Foundation, December 5\u00a0&#8211;\u00a007, 2016<\/li>\n<li>\u201cInterpreting the picturesque: images and text in two prints and four descriptions of Charles Saffray`s Voyage \u00e0 la Nouvelle-Grenade\u201d. AAH 2016. Association of Art Historians. 2016 Conference. University of Edinburgh, April 6-9, 2016<\/li>\n<li>\u201cThe quest for <em>El Dorado<\/em>: the <em>Album of Antiques from Nueva Granada<\/em> by Liborio Zerda\u201d. CAA 2016. College Art Association. Washington D.C., February 3-6, 2016.<\/li>\n<li>\u201cRuin as antique or ruin as memory: Colombian Nineteenth-Century visions of a recent past.\u201d Interdisciplinary Nineteenth-Century Studies Conference: Mobilities. Georgia Institute of Technology. Atlanta, Georgia. April 16-19, 2015<\/li>\n<li>\u201c<em>Tarabitas and Cabuyas<\/em>: Images of Bridges in Colombian Nineteenth-Century Painting.\u201d Interdisciplinary Nineteenth-Century Studies Conference: Nineteenth-century energies. University of Houston. Houston, Texas. March 27-30, 2014<\/li>\n<li><a href=\"http:\/\/incs2013.nines.org\/wp-content\/uploads\/2013\/02\/Uribe_Revealing-Sources.pdf\">\u201cRevealing Sources: The Eager Search of Two Sketches for Esther\u201d<\/a>. Interdisciplinary Nineteenth-Century Studies Conference: Leisure, Enjoyment and Fun! University of Virginia, Charlotsville; Virginia. March 14-17, 2013<\/li>\n<li>\u201cTranslating Landscape: the Colombian Chorographic Commission\u201d. Interdisciplinary Nineteenth-Century Studies Conference: Speaking Nature- Pitzer College, Claremont, California. March 31-April 3, 2011<\/li>\n<li><span> <\/span><span>\u201cThe sketch as a mind-body mediator y Delacroix\u2019s Journal.\u201d The 18th Annual North American Society for the Study of Romanticism Conference: Romantic Mediations. University of British Columbia and Simon Fraser University. Vancouver, Canada. Agosto 2010<\/span><\/li>\n<li><span> <\/span><span>\u201cThe Sketch and the Imagination in the Travel Notebooks of Romantic Painters.\u201d The 2006 International Conference on Romanticism. Engaged Romanticism: Romanticism as Praxis. Arizona State University. Tempe, AZ. November 2006.<\/span><\/li>\n<li><span>\u201cThe fragment and the <em>non finito<\/em>: Romantic Objects from Michelangelo to Rodin\u201d The 2007 International Conference on Romanticism: Romantic Objects. Baltimore, MD. October 18-21, 2007.<\/span><strong>\u00a0<\/strong><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curriculum VitaeName: Ver\u00f3nica Uribe HanaberghDate of Birth: April 17, 1979Place of Birth: Bogot\u00e1, ColombiaPhone Number: +57-3175113311Email: v.uribe20@uniandes.edu.co; verouribe33@gmail.comWebpage: www.veronicauribe.comLanguages: Spanish (native), English (proficient\/fluent), Catalan (upper-intermediate), French (beginner)Orcid id: https:\/\/orcid.org\/0000-0003-0370-775XGoogle Scholar: https:\/\/scholar.google.com\/citations?user=ArGZtuUAAAAJ&amp;hl=esAcademia: https:\/\/uniandes.academia.edu\/VeronicaUribe Current Position\/Affiliation\u00a0 Associate professor, Art History Department, School of Arts and Humanities, Universidad de los Andes, Bogot\u00e1, Colombia (2010-present) Studies 2009 D. in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":197,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-21","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ver\u00f3nica Uribe - Ver\u00f3nica Uribe - English<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.veronicauribe.com\/en\/veronica-uribe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ver\u00f3nica Uribe - Ver\u00f3nica Uribe - English\" \/>\n<meta property=\"og:description\" content=\"Curriculum VitaeName: Ver\u00f3nica Uribe HanaberghDate of Birth: April 17, 1979Place of Birth: Bogot\u00e1, ColombiaPhone Number: +57-3175113311Email: v.uribe20@uniandes.edu.co; 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